By Brian Emmel
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Rubinstein is taken into account Liszt's basically attainable rival at the live performance level whereas Carreño is the main girl pianist of the overdue nineteenth century. jointly, they speak about "the soul of the piano": the artwork of piano pedaling. Rubinstein's process is explored via works he played in 1885-6. Carreño's observations discover her sensitivity made attainable via mixtures of contact and pedal.
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5-String Bassic Fundamentals by Brian Emmel